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网上科普有关“求一份莫言英文版作品....”话题很是火热 ，小编也是针对求一份莫言英文版作品....寻找了一些与之相关的一些信息进行分析
，如果能碰巧解决你现在面临的问题，希望能够帮助到您。

From "Big Breasts and Wide Hips" (2004)

The Japanese cavalry unit headed south along the riverbank all the way up to where Laidi and her sisters had left their shoes. There they reined in their horses and cut through the bushes up to the dike. Laidi kept looking, but they were gone. She then turned to look down at the dead sorrel, its head bloody, its big, lifeless blue eyes staring sadly into the deep blue sky. The Japanese rider lay facedown in the mud, pinned beneath the horse, his head cocked at an awkward angle, one bloodless hand stretched out to the riverbank, as if fishing for something. The horses' hooves had chewed up the smooth, sun-drenched mud of the shoals. The body of a white horse lay on its side in the river, rolling slowly in the shifting water, until it flipped over and its legs, tipped by hooves the size of clay jugs, rose terrifyingly into the air. A moment later, the water churned and the legs slipped back into the water to wait for the next opportunity to point to the sky. The chestnut horse that had made such an impression on Laidi was already far downriver, dragging its dead rider with it, and she wondered if it might be off looking for its mate, imagining it to be the long-separated wife of Third Master Fan's stud horse.

《丰乳肥臀》（2004）

日本人的马队沿着河滩往东跑下去 ，跑到上官来弟她们放鞋子的地方
，齐齐地勒住马头，穿过灌木丛爬上了大堤 。她看不到日本马队了
。她看到河滩上躺着那匹死去的大花马 ，硕大的头颅上沾满黑血和污泥
，一只蓝色的大眼珠子，悲凉地瞪着湛蓝的天空。那个白脸的日本兵半截身子压在马腹下 ，趴在淤泥上，脑袋歪在一侧
，一只白得没有一点血色的手伸到水边，好像要从水里捞什么东西 。清晨光滑平坦的滩涂 ，被马蹄践踏得一塌糊涂
。河水中央
，倒着一匹白马，河水冲击着马尸缓缓移动 、翻滚 ，当马尸肚皮朝上时
，四条高挑着瓦罐般胖大马蹄的马腿，便吓人地直竖起来 ，转眼间
，水声混浊，马腿便抡在水里 ，等待着下一次直指天空的机会。那匹给上官来弟留下深刻印象的枣红大马
，拖着它的骑手的尸体，顺流而下 ，已经走到很远的下游，她突然想到
，这匹马很可能要到樊三爷家去找那匹大种马 。她坚决地认为，枣红大马是匹母马 ，与樊三爷家的公马是失散多年的夫妻
。

英文翻译器：莫言诺贝尔晚宴答谢词

瑞典文学院诺奖委员会主席瓦斯特伯格：

尊敬的国王和皇后陛下
，尊敬的诺贝尔奖得主们，女士们先生们 ，

莫言是个诗人
，他扯下程式化的宣传画，使个人从茫茫无名大众中突出出来。 他用嘲笑和讽刺的笔触 ，攻击历史和谬误以及贫乏和政治虚伪 。他有技巧的揭露了人类最阴暗的一面
，在不经意间给象征赋予了形象。

高密东北乡体现了中国的民间故事和历史
。在这些民间故事中，驴与猪的吵闹淹没了人的声音 ，爱与邪恶被赋予了超自然的能量。

莫言有着无与伦比的想象力 。他很好的描绘了自然；他基本知晓所有与饥饿相关的事情；中国20世纪的疾苦从来都没有被如此直白的描写：英雄
、情侣、虐待者 、匪徒--特别是坚强的 
、不屈不挠的母亲们 
。他向我们展示了一个没有真理、常识或者同情的世界
，这个世界中的人鲁莽 、无助且可笑。

中国历史上重复出现的同类相残的行为证明了这些苦难 。对莫言来说，这代表着消费、无节制
、废物、肉体上的享受以及无法描述的欲望 ，只有他才能超越禁忌试图描述
。

在小说《酒国》中，最精致的佳肴是烧烤三岁儿童。男童沦为食物；女童因为被忽视而得以幸存 。这是对中国计划生育政策的嘲讽
，因为计划生育大量女胎被堕胎： 女孩连被吃的资格都没有
。莫言为此写了一整本小说《蛙》。

莫言的故事有着神秘和寓意，让所有的价值观得到体现 。莫言的人物充满活力 ，他们甚至用不道德的办法和手段实现他们生活目标
，打破命运和政治的牢笼
。

《丰乳肥臀》是莫言最著名的小说，以女性视角描述了1960年的大跃进和大饥荒。他讥讽了革命伪科学 ，就是用兔子给羊受精
，同时不理睬所有的怀疑者，将他们当成右翼 。小说的结尾描述了九十年代的新资本主义 ，会忽悠的人靠卖化妆品富了起来
，并想通过混种受精培育凤凰。

莫言生动的向我们展示了一个被人遗忘的农民世界，虽然无情但又充满了愉悦的无私
。每一个瞬间都那么精彩。作者知晓手工艺 、冶炼技术
、建筑、挖沟开渠 、放牧和游击队的技巧并且知道如何描述 。他似乎用笔尖描述了整个人生
。

他比拉伯雷
、斯威夫特和马尔克斯之后的多数作家都要滑稽和犀利。他的语言辛辣 。他对于中国过去一百年的描述中 ，没有跳舞的独角兽和少女
。但是他描述的猪圈生活让我们觉得非常熟悉。意识形态和改革有来有去
，但是人类的自我和贪婪却一直存在 。所以莫言为所有的小人物打抱不平
。

在莫言的小说世界里，品德和残酷交战 ，对阅读者来说这是一种文学探险。曾有如此的文学浪潮席卷了中国和世界么？莫言作品中的文学力度压过大多数当代作品 。

瑞典文学院祝贺你
。请你从国王手中接过2012年诺贝尔文学奖。

莫言诺奖颁奖词（英文版）

Award Ceremony Speech

Presentation Speech by Per W?stberg, Writer, Member of the Swedish Academy, Chairman of the Nobel Committee, 10December2012

Your Majesties, Your Royal Highnesses, Esteemed Nobel Laureates, Ladies and Gentlemen,

Mo Yan is a poet who tears down stereotypical propaganda posters, elevating the individual from an anonymous human mass. Using ridicule and sarcasm Mo Yan attacks history and its falsifications as well as deprivation and political hypocrisy. Playfully and with ill-disguised delight, he reveals the murkiest aspects of human existence, almost inadvertently finding images of strong symbolic weight.

North-eastern Gaomi county embodies China’s folk tales and history. Few real journeys can surpass these to a realm where the clamour of donkeys and pigs drowns out the voices of the people’s commissars and where both love and evil assume supernatural proportions.

Mo Yan’s imagination soars across the entire human existence. He is a wonderful portrayer of nature; he knows virtually all there is to know about hunger, and the brutality of China’s 20th century has probably never been described so nakedly, with heroes, lovers, torturers, bandits – and especially, strong, indomitable mothers. He shows us a world without truth, common sense or compassion, a world where people are reckless, helpless and absurd.

Proof of this misery is the cannibalism that recurs in China’s history. In Mo Yan, it stands for unrestrained consumption, excess, rubbish, carnal pleasures and the indescribable desires that only he can attempt to elucidate beyond all tabooed limitations.

In his novel Republic of Wine, the most exquisite of delicacies is a roasted three-year-old. Boys have become exclusive foodstuff. The girls, neglected, survive. The irony is directed at China’s family policy, because of which female foetuses are aborted on an astronomic scale: girls aren’t even good enough to eat. Mo Yan has written an entire novel, Frog, about this.

Mo Yan’s stories have mythical and allegorical pretensions and turn all values on their heads. We never meet that ideal citizen who was a standard feature in Mao’s China. Mo Yan’s characters bubble with vitality and take even the most amoral steps and measures to fulfil their lives and burst the cages they have been confined in by fate and politics.

Instead of communism’s poster-happy history, Mo Yan describes a past that, with his exaggerations, parodies and derivations from myths and folk tales, is a convincing and scathing revision of fifty years of propaganda.

In his most remarkable novel, Big Breasts and Wide Hips, where a female perspective dominates, Mo Yan describes the Great Leap Forward and the Great Famine of 1960 in stinging detail. He mocks the revolutionary pseudo-science that tried to inseminate sheep with rabbit sperm, all the while dismissing doubters as right-wing elements. The novel ends with the new capitalism of the ‘90s with fraudsters becoming rich on beauty products and trying to produce a Phoenix through cross-fertilisation.

In Mo Yan, a forgotten peasant world arises, alive and well, before our eyes, sensually scented even in its most pungent vapours, startlingly merciless but tinged by joyful selflessness. Never a dull moment. The author knows everything and can describe everything – all kinds of handicraft, smithery, construction, ditch-digging, animal husbandry, the tricks of guerrilla bands. He seems to carry all human life on the tip of his pen.

He is more hilarious and more appalling than most in the wake of Rabelais and Swift — in our time, in the wake of García Marquez. His spice blend is a peppery one. On his broad tapestry of China’s last hundred years, there are neither dancing unicorns nor skipping maidens. But he paints life in a pigsty in such a way that we feel we have been there far too long. Ideologies and reform movements may come and go but human egoism and greed remain. So Mo Yan defends small individuals against all injustices – from Japanese occupation to Maoist terror and today’s production frenzy.

For those who venture to Mo Yan’s home district, where bountiful virtue battles the vilest cruelty, a staggering literary adventure awaits. Has ever such an epic spring flood engulfed China and the rest of the world? In Mo Yan’s work, world literature speaks with a voice that drowns out most contemporaries.

The Swedish Academy congratulates you. I call on you to accept the 2012 Nobel Prize for Literature from the hand of His Majesty the King.

急！！帮忙用英文翻译一个文学类的论文摘要！！

英文写作翻译频道为大家整理的英文翻译器：莫言诺贝尔晚宴答谢词，供大家参考:)

北京时间2012年12月11日凌晨
，中国作家莫言正式领取了今年的诺贝尔文学奖，并在随后参加了盛大的诺贝尔晚宴 ，以下是莫言在晚宴上的答谢词：

尊敬的国王、王后和王室成员
，女士们先生们：

我的讲稿忘在旅馆了，但是我记在脑子里了 。

我获奖以来发生了很多有趣的事情 ，由此也可以见证到
，诺贝尔奖确实是一个影响巨大的奖项，它在全世界的地位无法动摇。我是一个来自中国山东高密东北乡的一个农民的儿子 ，能在这样一个殿堂中领取这样一个巨大的奖项
，很像一个童话，但它毫无疑问是一个事实
。

我想借这个机会 ，向诺奖基金会
，向支持了诺贝尔奖的瑞典人民，表示崇高的敬意。要像瑞典皇家学院坚守自己信念的院士表示崇高的敬意和真挚的感谢 。

我还要感谢那些把我的作品翻译成了世界很多语言的翻译家们
。没有他们的创造性的劳动 ，文学只是各种语言的文学。正是因为有了他们的劳动，文学才可以变为世界的文学 。

当然我还要感谢我的亲人
，我的朋友们
。他们的友谊，他们的智慧 ，都在我的作品里闪耀光芒。

文学和科学相比较没有的确是没有什么用处 。但是文学的的用处
，也许就是他没有用处
。

谢谢大家！

以下为莫言为此次晚宴准备的演讲稿原文及英文译文，与上面的现场即兴演讲不一致：

莫言在诺贝尔晚宴上的答谢词（准备稿）

2012年12月10日（当地时间）

Mo Yan's Prepared Banquet Speech at the Nobel Banquet

10 December 2012

尊敬的国王陛下 、王后陛下 ，女士们
，先生们：

Your Majesties, Your Royal Highnesses, Ladies and Gentlemen,

我，一个来自遥远的中国山东高密东北乡的农民的儿子 ，站在这个举世瞩目的殿堂上
，领取了诺贝尔文学奖，这很像一个童话 ，但却是不容置疑的现实。

For me, a farm boy from Gaomi's Northeast Township in far-away China, standing here in this world-famous hall after having received the Nobel Prize in Literature feels like a fairy tale, but of course it is true.

获奖后一个多月的经历
，使我认识到了诺贝尔文学奖巨大的影响和不可撼动的尊严 。我一直在冷眼旁观着这段时间里发生的一切，这是千载难逢的认识人世的机会 ，更是一个认清自我的机会
。

My experiences during the months since the announcement have made me aware of the enormous impact of the Nobel Prize and the unquestionable respect it enjoys. I have tried to view what has happened during this period in a cool, detached way. It has been a golden opportunity for me to learn about the world and, even more so, an opportunity for me to learn about myself.

我深知世界上有许多作家有资格甚至比我更有资格获得这个奖项；我相信，只要他们坚持写下去
，只要他们相信文学是人的光荣也是上帝赋予人的权利，那么 ，“他必将华冠加在你头上
，把荣冕交给你。 ”（《圣经·箴言·第四章》）

I am well aware that there are many writers in the world who would be more worthy Laureates than I. I am convinced that if they only continue to write, if they only believe that literature is the ornament of humanity and a God-given right, "She will give you a garland to grace your head and present you with a glorious crown." (Proverbs 4:9)

我深知，文学对世界上的政治纷争
、经济危机影响甚微 ，但文学对人的影响却是源远流长 。有文学时也许我们认识不到它的重要
，但如果没有文学，人的生活便会粗鄙野蛮。因此 ，我为自己的职业感到光荣也感到沉重
。

I am also well aware that literature only has a minimal influence on political disputes or economic crises in the world, but its significance to human beings is ancient. When literature exists, perhaps we do not notice how important it is, but when it does not exist, our lives become coarsened and brutal. For this reason, I am proud of my profession, but also aware of its importance.

借此机会
，我要向坚定地坚持自己信念的瑞典学院院士们表示崇高的敬意，我相信 ，除了文学
，没有任何能够打动你们的理由。

I want to take this opportunity to express my admiration for the members of the Swedish Academy, who stick firmly to their own convictions. I am confident that you will not let yourselves be affected by anything other than literature.

我还要向翻译我作品的各国翻译家表示崇高的敬意，没有你们 ，世界文学这个概念就不能成立 。你们的工作，是人类彼此了解、互相尊重的桥梁
。当然
，在这样的时刻，我不会忘记我的家人 、朋友对我的支持和帮助 ，他们的智慧和友谊在我的作品里闪耀光芒。

I also want to express my respect for the translators from various countries who have translated my work. Without you, there would be no world literature. Your work is a bridge that helps people to understand and respect each other. Nor, at this moment, can I forget my family and friends, who have given me their support and help. Their wisdom and friendship shines through my work.

最后
，我要特别地感谢我的故乡中国山东高密的父老乡亲，我过去是 ，现在是
，将来也是你们中的一员；我还要特别地感谢那片生我养我的厚重大地，俗话说 ，“一方水土养一方人”
，我便是这片水土养育出来的一个说书人，我的一切工作 ，都是为了报答你的恩情 。

Finally, I wish to extend special thanks to my older relatives and compatriots at home in Gaomi, Shandong, China. I was, am and always will be one of you. I also thank the fertile soil that gave birth to me and nurtured me. It is often said that a person is shaped by the place where he grows up. I am a storyteller, who has found nourishment in your humid soil. Everything that I have done, I have done to thank you!

谢谢大家！

My sincere thanks to all of you!

In contemporary Chinese literary history, mo yan's value over time and more clearly, he precipitated the unique narrative style and works of flowery colour, create a contemporary literature for new fields. Based on the color words to the axis, from the use quantity, preference and using method of mo yan color word summarized the characteristics of novels, From different people, write 3d perspectives color word for the mo yan novel rhetorical effect, With red and green color word for example reveals the unique connotation embodied in the novel, the deep excavation, mo yan novel colour aesthetic.

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